The Venus Flytrap: Three Poets In Agra

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The holes didn’t make the leaves look any less beautiful, and that’s what caught my eye. When you live with and look after plants you learn to ignore natural wilting and discolouration, understanding that all things have their moments and their messes, just like you. But the crisp semi-circles that began to appear along the edges of the greenest of my bougainvillea’s leaves were so perfect that I could not regard them as decay. They looked like bites out of an apple logo, or lunar incurvations. They were lovely – but what was causing them? I enjoyed a whimsy about caterpillars dreaming their butterfly selves at a near distance from my own dreaming, but worried that the pigeon terrors had developed a taste for them.

I asked my friend Nitoo Das, the poet who waters her plants at midnight, and she told me that the culprit, or more accurately, the artist, behind the geometric mystery was the leaf-cutter bee.

I hadn’t considered that bees would deign to grace my modest balcony garden, and so regarded this as the highest compliment. Leaf-cutters were new to me, so I looked them up. What I learned was that they are solitary creatures. Hives are social entities, created with the labour of many. But leaf-cutters do everything themselves: from pollination to home-building to protecting her eggs. As Nitoo told me, they bite green leaves not to consume them, but to use the material to build their nests, which themselves are holes.

I sighed with joy. I could live with leaf-cutter bees, who live in a way I already lean toward.

Just a few days later, Nitoo and I met at a Delhi station and took the train to Agra with a third poet, the brilliant young Urvashi Bahuguna.

Many reams have already been written about the beauty of the Taj Mahal and the Agra Fort. On that overcast and uncrowded day, the serenity of the first washed my cynicism clean. There really was love imbued there. I imagined being able to go there to read or contemplate, to be something other than a sleepless tourist collecting proof of experience.

We noticed how parakeets loved red sandstone but were unenthused by marble. Their colour brought to mind the leaf-cutter bee’s alcoves lined with green leaves, and I wondered where my neighbour made hers. It was close by, I was sure, but either out of sight or else I hadn’t known how or where to look.

In a shop in Agra, we were shown sarees made of banana stems and leaves. They were exquisitely soft, and had been made by prisoners serving life sentences. The proceeds from them would go towards supporting the prisoners’ families. I choose one made from banana stems in a gentle red, with a print that reminded me of georgette and chiffon sarees of the 80s, the kind my mother was always wearing when my sister and I would lift our chins to kiss her bare waist.

I hadn’t known that the banana plant, with all its versatility, could also be worn. I thought of my leaf-cutter co-habitant then too, and hoped for a long and gentle co-existence.

An edited version appeared in The New Indian Express on September 28th 2017. “The Venus Flytrap” appears on Thursdays in Chennai’s City Express supplement.

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